Queridos amigos hispano hablantes y amantes del arte,
Me permito compartirles una nueva página que acabo de abrir sobre el arte sacro.
Se llama ars sacra (link: aquí).
Compartiré obras del arte sacro, especialmente pero no exclusivamente cristiano, con comentarios breves que espero les hará pensar o quizá sonreír o simplemente contemplar.
Muchos de los textos son los que presento en mis clases de historia del arte, y habrá muy próximamente unos podcasts. Decidí abrir esta página por petición de algunos amigos y alumnos; y porque creo sinceramente que la razón de ser del conocimiento, cualquiera que sea, es que sea compartido, y más aún si es bello.
Ars sacra caritas est – el arte sacro es amor. Lo creo sinceramente.
Espero que me acompañarán en este camino.
Obra: detalle del “Ecce homo” de Caravaggio, 1604 – Palazzo Bianco, Genoa.
“Zen” by Lui Shou Kwan (China, 1919-1975).
Inspiration: seeking simplicity and beauty.
She stood with a fan in her hand, her gaze reaching far beyond the fence.
She filled the museum room with grace and poise – a silent contrast to the visitors, all smart phone at hand rushing by, their short attention span turning stillness into boredom.
I was absorbed by her grace. I never asked myself any questions about what she may have been thinking. There was no need.
I stood there, wishing for her serenity to touch me. And as the visitors withered away, it did. I hope it touches you as well.
“Lady with a fan” by Fei Danxu (China, 1801-1850), ink on paper, hanging scroll, Qing Dynasty – a photo I took at the Shanghai Museum in June 2018.
Inspiration: Chinese New Year and serenity.
Detail of a handmade silk carpet from Kashmir (Srinagar), 20th c. (private collection).
In Ancient Greece during the geometric art period (ca. 900 to 700 BC) and still today in Islamic art, the perfection of geometry and the potentially infinite repetition of patterns were one way to represent and attain the divine.
Did you know that in every handmade carpet there is one thread of a different color invisible to the eye? This is a gesture of humility from the carpet maker since only God, in his eyes, could achieve perfection.
More than 3’000 years later, she is still joyous and slightly mischievous.
Terra-cotta statuette of woman with bird face (H: 21 cm) from Cyprus, dated 1450-1200 BC (Late Cypriot II period) – via the Met, NY.
The afternoon wind lifts
the corner of the paper.
The brush dances.
The ink sings my solitude.
For a brief moment,
I escape the rigidity of appearances.
Inspiration: Shodō (Japanese calligraphy)
“Annunciation” by Caravaggio, dated 1608-1609.
For a class I will be giving, I am going in detail through forty or so representations of the annunciation, from early Christianity (3rd c.) to the early 20th c.; and among them, I admit this one by Caravaggio simply stands alone.
Kindly note that underlining this painting does not diminish the beauty, tenderness and even perfection of details in other wonderful representations (the catacombs of Rome, Byzantine mosaics, Medieval illustrated manuscripts, Giotto, Van Eyck, Da Vinci, Cristus, and so many others).
It is simply that Caravaggio gives the viewer so much to ponder through his mastery of painting light and darkness, the gestures, the seemingly simple composition and more. I will write no more and let you appreciate it.
Art via the Musée des Beaux Arts, Nancy.